The Hobbit: The Battle of Five Armies

Azog, one of the many examples of how this series was padded out

to mixed results.

In many ways The Hobbit: The Battle of Five Armies is a hard film to review. Fans of middle earth are going to swarm to the film regardless of what any review contains, and for good reason. The original trilogy easily contains some of the best, if not the very best fantasy films made. The Hobbit trilogy in comparison has widely thus far been considered good albeit disappointing.

The Battle of Five armies starts of where The Desolation of Smaug ends, a film that sadly and amusingly didn't contain the actual desolation of Smaug. Instead it was used as bait to entice viewers to see this presumably final film of Peter Jackson middle earth saga. As a result The Battle of Five armies has an expectedly exciting opening. Although those who where less then impressed by the more cartoon like action of The Hobbit will continue to be unimpressed. Characters from the outset continue to do impossible things, At times this is fine as it is well established in the films that Elves are capable of what are seemingly impossible feats for a human. However this film as the prior two Hobbit films extends this to both the human characters and dwarves. This once again robs the film of their being any sense of risk for the characters present, which undermines the entire epic finale and battle between five armies.

The action remains over the top, but far less so then what was

present in the previous two films.

That isn't to say the film as a finale isn't satisfyingly epic. It just is a film that seem to undercut its intentions for little reason beyond Peter Jackson an co thinking a certain moment may look 'cool', much like Michael Bay seemingly has done with the Transformer films. However compared to the previous instalments such silliness is kept to a relative minimum and thus allows some room for emotional weight. However with a few exceptions such as Bilbo, Gandalf and Thranduil who all have exceptional acting behind them, their is little reasons to care about what happens. This is particularly problematic when it comes to the dwarves of which less then half contain anything resembling a character beyond a caricature. Giving that the entire trilogy is about the Dwarves reclaiming their home this is a particular problem that undermines the purpose of the entire trilogy.

With that being said the performances of those that you do care about that the finale does provide for just enough context to provide some emotional punch and to bring this middle earth saga to a satisfying if not disappointing conclusion. The film is also the shortest of the trilogy and whilst a few areas are left with little resolution this decreased run time is largely welcome and removes the bloat that plagued the first two Hobbit films where it was abundantly obvious that their simply wasn't enough content to sustain an entire trilogy.

Whilst it is far from a masterpiece The Hobbit: The Battle of Five Armies is a film that is certainly easy to recommend to fans of the Hobbit films. It also has reduced the issues present in the previous two films to a large enough degree to come recommended thanks largely to it slightly less absurd action and its tighter pacing without the bloat that plagued the first two entries of this trilogy.

Whilst it isn't the defining chapter as marketing would have you believe it

is certainly the most enjoyable of the Hobbit films.

What about he HFR? Well I may be somewhat cheating here as this is largely a direct copy of what I wrote last year regarding the HFR in The Desolation of Smaug. It however remains as relevant for this film as it was the last. The short story is I would highly recommend viewing it in HFR, for more detail please read the below.

Whilst more a comment on the technical side I fell compelled to mention the films use of HFR. This is especially the case as The Battle of Five Armies, The Desolation of Smaug and An Unexpected Journey are the only films with a wide release to be shoot and be viewable in such a way. HFR simply stands for high frame rate and as was the case with the prior two films The Battle of Five Armies has been filmed in HFR at 48fps as opposed to the usual 24fps (meaning the number of images a displayed every second is doubled when compared to more or less every other film that has ever been release [there are some exceptions of course, most notably with older silent films before 24fps became the used ‘standard’]). I simply cannot say enough good things about the use of HFR, it provides for a very surreal presentation with everything appearing extremely smooth and lifelike. Likewise the use of 3d especially when combined with the films use of HFR is equally impressive and well worth the extra cost of admission for those interested in seeing this film. The only down side to HFR is it can make the at times less then stellar production values extremely evident. This is of particular note as the entire Hobbit trillogy is extremely inconsistent with it use of cgi. Most scene do look spectacular but on occasion the use of cgi is overly evident and looks more like what one may expect from a film released well over a decade ago.

The Hobbit: The Desolation of Smaug Review

After a brief scene where Gandalf is seen meeting Thorin, The Hobbit: The Desolation of Smaug ‘continues’ as the company of Dwarves, Hobbit and Gandalf continue to try and evade Azog and make there way to the Lonely Mountain. The first Hobbit film (An Unexpected Journey) had numerous issues, many of which this film also carries. The little doubt I had after viewing An Unexpected Journey that their was simply not enough material to create a three part film series on The Hobbit has completely evaporated as it has become abundantly clear that their simply isn't enough material.

The first most obvious issue is exhibits itself at the start of the film with the Dwarves, Hobbit and Gandalf continuing to try and evade Azog, which seemingly ignores the ending of An Unexpected Journey. At the end of An Unexpected Journey the Dwarves, Hobbit and Gandalf where saved from Azog by Gwaihir (essentially very large Eagles) and flown what seemed to be quite some distance away from Azog. Yet at the beginning of The Desolation of Smaug, Azog is seen to close to the point that they are hiding in sight from him. They also seemed to be rather close to the Lonely Mountain yet somehow seemed to have moved further away from the mountain in the Desolation of Smaug. This last point is admittedly nitpicking at best, but as the film as a whole is once again unnecessarily bloated it remains noteworthy and the apparent changed distance from the Lonely Mountain does underline one of the major flaws present and that is the film. The Desolation of Smaug is simply far to bloated and far to little seems to be happening in far to long of a time. Their are far to many scenes and characters that are not only unnecessary but slow the film down to the point that I struggle to think of a film that had as much action as this film, yet manages to be as slowly paced. The action itself is admittedly mostly well staged but there is simply far too much action present and as a result that action scenes like the film as a whole begin to drag on.

More problematic then the bloated nature of The Desolation of Smaug is the lack of any sense of danger for the main characters. The Dwarves and company are put into numerous situations that should elicit a sense of danger. But as they are continuously unscathed as they are thrown around, poisoned and even essentially surf melted gold with nothing more then a wheelbarrow it is hard to care for anything that is happening on screen as their is nothing at stake. This further makes the already overwhelming amount of action to not only drag on, but to be a chore to sit through. The one exception to this is the introduction of Smaug which is simply superb. Although much like the rest of the film the scenes with Smaug soon begin to drag on as Smaug fails to hunt down the Dwarves and Hobbit for what was far to long of a time.

Characterisation is also almost completely absent from The Desolation of Smaug, and much like how the start of The Desolation of Smaug seemingly ignores the ending of the first Hobbit film it also ignores the little character development that was present in An Unexpected Journey. This is most notable for Thorin in An Unexpected Journey and how his views on Bilbo had changed. Such issues combined with the amount of unnecessary scenes and bloated run time only further solidify that The Hobbit should never have been made into a three part film.

The Hobbit: The Desolation of Smaug is an overly bloated film full of far too much action and far too little characterisation. This along with a lack of any sense of danger results in a film that is uninteresting to watch that does not come recommended.

Note: Whilst more a comment on the technical side I fell compelled to mention the films use of HFR. This is especially the case as The Desolation of Smaug and An Unexpected Journey are the only films with a wide release to be shoot and be viewable in such a way. HFR simply stands for high frame rate and as was the case with An Unexpected Journey, The Desolation of Smaug has been filmed in HFR at 48fps as apposed to the usual 24fps (meaning the number of images a displayed every second is doubled when compared to more or less every other film that has ever been release [there are some exceptions of course, most notably with older silent films before 24fps became the used ‘standard’]). I simply cannot say enough good things about the use of HFR, it provides for a very surreal presentation with everything appearing extremely smooth and lifelike. Likewise the use of 3d especially when combined with the films use of HFR is equally impressive and well worth the extra cost of admission for those who simply must see this film. The only down side to HFR is it can make the at times less then stellar production values extremely evident. This is of particular note as The Desolation of Smaug is extremely inconsistent with it use of cgi. Most scene do look spectacular but on occasion the use of cgi is overly evident and looks more like what one may expect from a film released well over a decade ago.